Captive State Is Classic Movie To Watch

“Captive State” is geeky, serious Science Fiction told with a straight face and no comic relief. This is important because, like most science fiction geeks, There is a cheese hair width: a few missteps and the whole thing becomes a campy laugh. But director Rupert Wyatt, who made the equally peril “rise of the planet of the Apes” and co-wrote “Captive State” with his wife Erica Beeney, defies his incredibly inexpensive budget with hand-held cameras and a documentary style that pushes us to the urgency of the Situation. In short, we believe it, no matter how ridiculous it is.

The film is set nine years after the entire Earth gave in to an Alien Invasion and placed humanity under alien domination. America still has essentially the same form of government, but now lawmakers are foreigners. Our law enforcement agencies, working with the invaders, turned us into a police state, and each person was given an “identity implant” in the neck. Also, the general consensus among humans now is that the alien takeover was a good thing. Our country was a chaos before the first contact, and now it has been cleaned up! Crime is at an all-time low, so you can walk the streets safely (as long as you don’t say anything critical about the E.T.S in D.C.).

Our story deals with both sides of the civil war: the underground resistance (widely considered a assassin insurgency) and the police, represented by John Goodman as a determined Agent named Mulligan. It’s hard to accept Goodman as anything other than, well, a good man, so we give him the benefit of the doubt that he’s been brainwashed by alien propaganda and is just doing his job. On the other hand, a young man named Gabriel (Ashton Sanders) has connections with a secret resistance group called Phoenix — led by his supposedly martyred brother Rafe (Jonathan Majors) — who is planning something big at an impending Unity rally.aliens should make an appearance.

Wyatt and Beeney’s script shows thoughts and reflections. Technological development stopped when aliens took and blocked digital signals, so most people who are not employed have outdated computers and communication equipment. The Resistance is now all analog, including the Use of Passenger Pigeons. Newspapers are important again. Everything in busy Chicago, where the Action takes place, looks authentically dirty and dilapidated, as the world should be in “Ready Player One”.

Recognizable actors are scattered everywhere: Vera Farmiga as a high-end prostitute who gives Mulligan information; Alan Ruck as a Phoenix member working inside; Kevin Dunn (from HBO’s “Veep”) as Mulligan’s alien-supporting boss. Goodman’s bossy presence lends weight to the film, and Ashton Sanders (“Moonlight”) continues to be a calm, moving actor who gets attention whenever he’s on screen (which isn’t enough).

Although the plot has its surprising moments, it is based not on plot twists or pyrotechnics, but on the secret machinations of Phoenix and the feds. The parallels with the real propagandists and their collaborators are clear, without being cumbersome. It’s a little too long, but Wyatt’s serious intensity hooked me for the most part. For my part, I do not greet our new team leaders.

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